Born in Spokane, Washington. Raised in New Orleans, San Francisco and Los Angeles. Based: Kelowna, British Columbia. Home: On the road, somewhere…


Kenny “Blues Boss” Wayne — resplendent in a brightly colored, French custom-tailored stage suit — hammers out rockin’ boogie woogie, deeply felt blues, and puts a fresh coat of paint on good old-fashioned roots rock and roll. Now with a brand new album, An Old Rock on a Roll on the Stony Plain label, he’s on the road again. He’s been a traveling musician almost all his life, playing in show bands and cover bands in his youth, seeing the world from Texas to Hawaii and from Peoria to Paris.

Rediscovering his own blues roots long ago sent his career into overdrive, thanks to his fresh approach to old music, the drive and roaring good-time attitude of his live performances, and his smartly original self-penned songs.

As one writer put it: ““When a piano player’s got the three most important things — the playing, the voice, and the look – he becomes the whole package. An artist you just have to see and hear.”

Deeply influenced by Fats Domino and Johnnie Johnson, Kenny Wayne’s other heroes include keyboard rockers whose names are beginning to fade into history — men such as Amos Milburn and Bill Doggett, both long overdue for rediscovery by the new generations of blues fans. The new album has been produced by Duke Robillard, who has overseen sessions for Stony Plain by Jimmy Witherspoon, Jay McShann, Rosco Gordon, Long John Baldry, Herb Ellis, Ronnie Earl and many others. The co-founder of the band Roomful of Blues and a former member of The Fabulous Thunderbirds, Robillard has more than a dozen of his own recordings on Stony Plain.

Robillard’s take on Wayne? “He’s a monster pianist, a soulful singer, and he captures of essence of old school blues and boogie while sounding totally fresh and contemporary,” he says.